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This song has been around for a while but it has only just been brought to my attention. It’s an anti-hippie song which reflects a more conservative approach to the 1960s, to spirituality etc. Posted here for info only.
I believe I’m gonna
Shut down my chakras, shift Shiva offa my shelf
Take down my tie dyes, my Tibetan bells
Cool down my karma with a can of O.P.T.
Ain’t no call for Casteneda in my frontline library.
There’s one thing I know, Lord above,
I ain’t gonna go,
I ain’t goin’ to Goa, Ain’t goin’ to Goa now
Ain’t goin’ to Goa, Ain’t gonna Goa now.
Ain’t dancin’ trance, no thanx, no chance to tranquilize me.
Ain’t sippin’ no smart bar drinks, you, that don’t satisfy me.
Dosing up my dharma, with a drop of gasoline,
I ain’t down with Mr. McKenna, tantric mantra talkin’ don’t move me.
I don’t need no freaky, deeky, fractal geometry, crystal silicon chip.
I ain’t walking on lay lines, reading no High Times put me on another bad trip.
Timothy Leary, just check out this theory,
He sold acid for the F.B.I.
Well, he ain’t no website wonder, the guru just went under,
You can keep your California Sunshine.
‘Cause the righteous truth is, there ain’t nothing worse than
Some fool lying on some Third World beach wearing
Spandex, psychedelic trousers, smoking damn dope
Pretending he gettin’ consciousness expansion. I want
Consciousness expansion, I go to my local tabernacle
An’ I sing with the brothers and sisters
In preparing themselves for life as a music professional, our...
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Inspired by the music of Stravinsky’s The Firebird and The Rite of Spring,...
Our recent seminar at the University of South Wales, ‘Sacred Stones and Bodies’, held on 28 February 2017, examined the material culture and some of the sacred loci of modern arts and performance festivals. The speakers talked about the sacred stones at the Glastonbury Festival, as well as the rituals associated with ‘festival bodies’.
Dr Jacqui Mulville, a Reader in Bioarchaeology at Cardiff University, talked about ‘Festival Archaeology’, showing how Bioarcheology can be used to explore the way in which the Stone Circle at Glastonbury can take part in the construction of festival Identities. Jacqui examined how festivals can be researched through the application of archaeology. She showed how archaeological evidence is called upon to construct festival identities, both physically, such as the stone circle at Glastonbury, and socially, in the re-creation of ‘ancient traditions’. Jacqui posited that contemporary participatory archaeological research is beginning to map festival journeys and examine the material culture of festival identities.
Dr Maria Nita, at University of South Wales, talked about ‘Bodies, Rituals and the Glastonbury Festival’, attempting to show that the festival journey can be both a solitary one, in which the festival goer establishes a ritualized itinerary through the festival fields, and a communal (ritual) experience. Maria discussed her current research on the Glastonbury festival, focusing on the significance and ritualistic treatment of the body for the duration of the festival. She examined some historical findings that show how Woodstock’s, and conversely Glastonbury’s, iconic naked bodies both displayed a nostalgic memorialisation of the past and ignited the imagination of a generation about the future.
We are grateful to the Research Institute at the University of South Wales for their support.
Dr Brian Ireland, Dr Sharif Gemie and Dr Maria Nita